Research
Historical and cultural context gives the work its gravity and prevents the visual form from becoming empty effect.
PIOTR LICHWAŁA / VIBROSŁAW
AUTHORIAL PROFILE
Author of audiovisual worlds built from memory, music, image and conscience.
Piotr Lichwała / Vibrosław creates authorial audiovisual projects within Veritas Humanum — a connected space for works that move between music, filmic image, writing, historical reflection, short-form storytelling and institutional experience.
Who He Is
An authorial practice between sound, image and memory.
Piotr Lichwała, working artistically as Vibrosław, is a Polish creator based in the United Kingdom. His work focuses on audiovisual forms in which music, image and words become a way of approaching memory, testimony, identity, moral pressure and the human being confronted with history.
His projects are not built as a conventional portfolio of separate works. They form a connected authorial world: Rap-Ort explores testimony, conscience and institutional screening formats; SZTAB develops music-driven animated memory stories; Między Wierszami / Between the Lines opens a quieter space for language, emotion and what remains unspoken; and the music of Vibrosław functions as the sound map of the wider universe.
Creative Method
Writing
Text is used to frame questions of responsibility, silence, testimony and the moral cost of decisions.
Music
Music carries emotional rhythm, narrative pressure and the inner architecture of the experience.
Image
Cinematic imagery creates atmosphere through restraint, not spectacle, sensationalism or graphic shock.
The creative process combines research, writing, music, image direction, editing and contemporary AI-assisted production tools. AI is part of the workshop, but it does not replace authorial intention. The essential decisions remain human: subject, language, restraint, responsibility and the way the viewer is guided through the experience.
Selected Worlds
Rap-Ort
An audiovisual world of testimony, report, conscience and human decision under pressure. Its main institutional work is Rap-Ort: Prawda Sumienia.
SZTAB
A music-driven animated world of memory, developed through album branches and short historical forms such as SZTAB · ORIGINS.
Między Wierszami / Between the Lines
A developing space for words, emotion, voice, silence and meanings hidden between sentences.
Music of Vibrosław
Songs, albums and standalone compositions that expand the sound language of memory, narrative and cinematic tension.
For Institutions, Curators and Media
Veritas Humanum projects can function as screenings, reflective events, educational contexts, cultural presentations, Polish diaspora programmes, author conversations and media subjects. The work is presented carefully, without implying institutional endorsement where it has not been formally confirmed.
For schools, universities, museums, cultural centres, Polish diaspora organisations and media partners, the most direct starting point is the institutional page or a short email enquiry with the proposed context.
Short Bio
Piotr Lichwała / Vibrosław is a Polish creator based in the United Kingdom, working across music, audiovisual storytelling, historical reflection and AI-assisted production. He is the author of Veritas Humanum, a connected universe of projects where memory, image, music and conscience meet.
Extended Bio
Piotr Lichwała, also working as Vibrosław, creates authorial audiovisual projects combining music, cinematic image, writing, historical context and contemporary production tools. His work operates between album, filmic experience, short-form visual storytelling, reflection material and institutional presentation. At the centre of his projects is the human being confronted with memory, choice, silence, responsibility and the pressure of truth.
Within Veritas Humanum, Rap-Ort develops an audiovisual language of testimony and conscience, SZTAB expands memory through music-driven animated forms, and Między Wierszami / Between the Lines opens a more intimate space for language and hidden meanings. AI-assisted tools are part of the production workshop, but the authorial responsibility remains in the selection of subject, tone, language, restraint and ethical framing.